Ahlam Shibli
Born in 1970, in Palestine.
Through a documentary aesthetics, Ahlam Shibli’s photographic work addresses the contradictory implications of the notion of home; it deals with the loss of home and the fight against that loss, but also with the restrictions and limitations that the idea of home imposes on individuals and communities marked by repressive identity politics.
Ahlam Shibli's work has been presented in solo and group exhibitions internationally. Her body of work includes, among others, the following series of photographs: Belonging (2022–23) which uses photographic framing to dissect the ‚imagined community‘ know as Arles and exposes separate, juxtaposed, or overlapping communities formed through different kinds of allegiance. Staring (2016–17), photographed in al-Khalil/Hebron, Palestine, and Kassel and its surroundings, Germany, examines what is similar and what is different in situations apparently far apart. Heimat (2016–17) relates expellees and refugees of German descent with so-called guest workers from the Mediterranean region, both of whom migrated to Kassel and the surrounding area as a result of the Second World War. Occupation (2016–17) is based on the destruction of Palestinian livelihood in al-Khalil/Hebron and the occupied territories by the Israeli colonial regime and assaults of Zionist settlers. Ramallah Archive (2014) points to ways of reorganising collective and individual existence encountered in files and photographic negatives found in the Ramallah Municipality Archive, and in the contemporary city. Death (2011–12) exposes the efforts of Palestinian society to preserve the presence of those who have lost their lives fighting against the Israeli occupation. Starting out from monuments that commemorate members of the French resistance against the Nazis together with French soldiers who fought in the colonial wars against peoples who were demanding their own independence, Trauma (2008–09) poses the question who is entitled to claim a home as their own. Dom Dziecka. The house starves when you are away (2008) investigates how children in Polish orphanages reconfigure their bodies to create particular communities of their own. Dependence (2007) explores social consequences of the distribution of bodily strength between the old and the young, migrants and locals. Arab al-Sbaih (2007) demonstrates how refugees in Jordan are preserving the memory of their homeland by reproducing the social structure of their original villages in Palestine. Eastern LGBT (2004/2006) pictures the bodies of lesbian, gay, bisexual, and transgender people from Oriental societies as a contested primary home. Trackers (2005) depictes Palestinians of Bedouin descent who are serving as volunteers in the Israeli Army, perhaps to be accepted, to change their identity, to survive, or all of this and more. Goter (2003) addressed the position of the Palestinians of Bedouin descent in the State of Israel: where there is a house there is no home, where there is a home there is no house.
Monographs
Group Exhibitions
* accompanying publications
2024
18 September 2024